Sysnthesizer Specs

Synthesizer Cheetah MS6 (m) E-MU Proteus/1; 1 XR; 2; 2XR (m) ENSONIQ SD- 1 ENSONIQ SQ- 1 PLUS; SQ-R PLUS (m) ENSONIQ SQ-2 KAWAI K 1 II; K1 rll (m); K1m (m); K1r (m) KAWAI K4; K4R (m) KORG M1; M1R (m); M1 REX (m) KORG M3R (m) KORG 01/W; 01/WFD KORG T1; T2 EX; T3 EX KORG WAVESTATION; EX; A/D (m) KURZWEIL K1200; PRO 76; K1200 PRO 1 (m) KURZWEIL K2000 MARQUIS MIDIA MUSICBOX OBERHIEM MATRIX-12 OBERHEIM MATRIX 1000 (m) PEAVEY DPM 3 SE; V3 (m) PEAVEY DPM 2; DPM V2 (m) ROLAND D-70 ROLAND D-5; D-2O ROLAND JD-800 ROLAND JX-1 ROLAND/RHODES M-660; M-760 ROLAND MV-30 (m) ROLAND SC-55 (m) ROLAND U-20; 220 (r) STUDIO ELECTRONICS SE-1 (m) WALDORF MICROWAVE (m) YAMAHA QY10 YAMAHA SY22; TG33 (m) YAMAHA SY55; TG55 (m) YAMAHA SY77; TG77 (m) YAMAHA SY99
Suggested Retail Price $669.00 Proteus 1: $995; 1 XR; $1,295; 2: $1,495; 2XR: $1,795 $2,695.00 SQ-1 Plus $1,595, SQ-R Plus $995 $1,795.00 K1 II: $995; K1 rII (m): $695; K1m: $595; K1r: $595 K4: $1,445; K4r: $995 M1 $2,166; M1R $1,995 MlREX $2,250 1,000 01/W: $2,399; 01/WFD: $2,799 T1: $5,669; T2 EX $4,169; T3 EX $3,749 Wavestation: $2,150; EX: $2,333, A/D: $2,499 K1 200 $2,995, Pro 76 $2,595, Pro I $1,595 $2,995.00 $679.00 $6,399.00 $599.00 3 SE: $2,299, V3 $1,099 DPM 2: $1,299, V2: $799 $2,595.00 D-5 $895, D-20 $1,895 $2,895.00 $895.00 M-660; $1,595; M-760: $2,095 $2,695.00 $795.00 U-20: $1,795; U-220: $1,095 $1,395.00 $1,495.00 $399.00 SY22: $1,095; TG33: $595 SY55: $1,395. TG55 $795 SY77: $2,995 TG77:$1,995 $3,995.00
Current Operating System 1.9 Proteus 1/1XR: 2.03; Proteus 2/2XR: 2.11 3 SQ-1 Plus 1 1, SQ-R Plus 1.02 1.2 1.5 1.3 28 14 27 28 3.04 5.32 1 ?? 1.1 1.11 3 SE: 2.3, V3: 1.3 DPM 2: 1.2, V2: 1.1 1.16 D-5 1.03, D-20 1.12 1.01 1 M-660; 1.02; M-760: 1.03 1.1 1 U-20: 3.03; U-220: 1.01 1 1.25 ?? ?? ?? ?? ??
Synthesis Method analog subtractive sample playback sample playback, wavetable modulation sample playback, wavetable modulation sample playback, wavetable modulation sample playback sample playback, AM sample playback sample playback sample playback, waveshaping sample playback sample playback, wave sequencing vector synthesis sample playback variable architecture FM, analog subtractive, sample playback analog subtractive analog subtractive sample playback sample playback sample playback sample playback, analog subtractive sample playback sample playback sample playback sample playback sample playback sample playback analog subtractive wavetable w/ modulation sample playback vector synthesis, FM, sample playback sample playback FM, sample playback, RCM FM, sample playback, RCM
Keyboard 61-note/ synth, V, CAT, PAT SQ-1 61-note/ synth, V 76-note/synth, V, CAT K1 II: 61-note/synth, V, CAT K4: 61-note/ synth, V, RV, CAT; K4r: – M1 61-note/synth, V, CAT, M1R/REX. – 61-note/synth, V, CAT V, CAT; T1: 88-note/weighted, T2: 76·
note/synth, T3: 61-note/synth
WS/EX 61-note/ synth V, CAT, A/D – K1200 88-note/weighted, V, RV, CAT,
Pro 76 76-note/weighted, V, RV, CAT, Pro 1: –
K2000: 61-note/synth V, RV, CAT 61-note/synth, V, RV, CAT 3 SE: 61-note/ synth, V, CAT, V3. – DPM 2: 61-note/synth, V 76-note/synth, V, CAT 61 note/synth, V 61-note/synth, V, CAT 61-note/synth, V M-660: 61-note; M-760 76-note; synth, V, CAT U-20: 61-note/synth, V, CAT; U-220: – 13-key micro-keyboard SY22: 61-note/synth, V, CAT; TG33: – SY55: 61-note/synth V, CAT, TG55 – SY77 61-note/synth, V, CAT TG77 – 76-note/synth, V, CAT
Display 4-digit LED 32-char LCD 80-char vacuum fluorescent 32 -char LCD 32 -char LCD 32-char LCD 32-char LCD 80-char LCD 32-char LCD 64 x 240 pixel LCD 64 x 240 pixel LCD 64 x 240-pixel LCD 32-char LCD 240 x 64 LCD 24-char LCD three 40-char fluorescent displays 3·digit LED 3 SE: 80-char LCD; V3: 40-char LCD DPM 2: 80-char LCD, V2: 40-char LCD 8 x 40-char LCD 32-char LCD 22 x 2-char LCD, 16 x 2-char LCD M-660: 32-char LCD; M-760: 80-char LCD 40-char x 8-line LCD 20-char x 4-line LCD 48-char LCD 80-character LCD 24-char LCD 16-char LCD 16-char x 2 line LCD, 2-digit LED 16-char x 2-Lme LCD 64 x 240-pixel LCD 240 x 64-backlit LCD
Audio Outputs mono mix 3 pairs stereo mix 2 pairs stereo mix, stereo headphone stereo mix, stereo headphone stereo mix, stereo headphone stereo mix, stereo headphone (K1 rII has additional 4 poly) stereo mix, stereo headphone; K4r: 6 additional poly 4 poly, stereo headphone 4 poly 4 poly, stereo headphone 4 poly, stereo headphone 4 poly, stereo headphone, A/D 2 additional XLR stereo mix, stereo headphone; K4r: 6 additional poly 6 poly sterer mix, 6 poly stereo mix ( 12 additional outputs optional) mono mix stereo mix, stereo headphone, V3 only 2 pairs stereo mix (one pair w/ FX) stereo mix stereo mix w/ FX, stereo mix w/ FX bypassed stereo mix, stereo headphone stereo mix, direct out (L,R) stereo headphone stereo mix, stereo headphone stereo mix, stereo headphone mix out (L/mono, R), direct out (L, R) x 2, stereo headphone, metronome stereo (RCA) U-20: stereo mix w/FX, stereo mix w/ FX by passed; U-220: 6 poly Ios mono stereo mix, 4 mono stereo mini-jock, headphone mini-jack SY22: stereo mix, stereo headphone;
TG33: 2 pairs stereo mix
SY55 stereo mix, stereo headphone; TG55 stereo mix, 2 poly SY77: two pairs stereo mix; TG77: two pairs stereo
mix, 8 poly both stereo headphone
two pairs stereo mix, stereo headphone
Memory
Sample/DAC bit Resolution 16/16 12 & 16/16 12 & 16/16 12 & 16/16 8/8 16/16 16/16 8 & 16/16 16/18 16/16 16/18 12/17 16/18 12/12 16/16 16/16 12 & 16/16 8, 12, & 16/16 16/18 8, 12, & 16/16 8, 12, & 16/16 8, 12, & 16/16 8, 12, & 16/16 8, 12, & 16/16 ?? 12/12 16/22 16/22 28/22
Sampled ROM wave memory 1/1XR: 4Mb (pop/rock sounds); 2/2XR: 8Mb (orch sounds)
1/1XR: expandable to 8 Mb; 2/2XR: not expandable
3.5Mb 2Mb 2Mb 512k 1.5Mb M1/M1R: 4Mb, REX: 8Mb 3Mb 6Mb 8Mb ROM, 1Mb RAM WS 2Mb, EX & A/D 4Mb 6Mb 8Mb 256K (drum waveforms) 4Mb 4Mb 3Mb ?? 3Mb 1Mb 3Mb 3Mb 3Mb 3Mb 32 wavetables w/ 64 waves each ?? 2Mb 2Mb 4Mb 8Mb
Accept New Sampled Waves no no (new waveform group via hardware expansion) no no no no no via PCM cord via PCM cord v10 2Mb PCM cord via PCM cord, disk, SDS via PCM cord no yes no via disk, SDS, or SX sampling module no via PCM card no via PCM card no via PCM card yes via card no via PCM card no no via PCM card via PCM card via PCM card 512K RAM (exp to 3Mb)
Sampled Drum Sounds no yes yes yes yes yes yes yes yes yes yes yes yes yes yes no no yes yes yes yes no no yes yes yes yes no no yes yes yes yes yes
# of Programs 320 ROM patches, 96 RAM patches, 64 RAM combis 1/2: 128 ROM/64 RAM patches;
1XR/2XR: 128 ROM/256 RAM patches
120 ROM, 60 RAM patches; 40 ROM, 20 RAM combis 100 ROM/8O RAM patches,
SQ-1: 70 RAM combis, SQ-R: 100 RAM combis
100 ROM, 80 RAM patches, up ta 70 combis 64 RAM patches, 32 RAM combis 64 RAM patches, 64 RAM combis 100 RAM patches, 100 RAM combis 100 RAM patches, 100 RAM combis 200 RAM patches, 200 RAM combis 200 RAM patches, 100 RAM combis WS/EX 105 patches, 150 combis, A/D 140 patches, 200 combis 163 ROM, 92 RAM potches 200 ROM, 1,000 RAM patches 240 analog RAM, 240 analog ROM, 2 drum RAM, 2 drum ROM, 240 FM RAM, 240 FM ROM 100 RAM patches, 100 RAM combis 200 RAM/800 ROM patches 3 SE: 100 RAM patches/ combis, V3: 200 RAM patches/ combis 200 RAM/800 ROM patches 128 combis, 128 tones, 64 performances 128 patches, 128 timbres, 128 ROM tones, 64 RAM tones 64 patches, 1 combi 64 ROM, 32 RAM patches M-660: 8 patches; M-760: 24 patches 128 RAM patches, 1 rhythm setup 315 ROM patches, 9 rhythm setups 64 RAM combis, 128 RAM tones, 128 RAM timbres 64 ROM, 128 RAM patches 64 RAM patches, 64 RAM combis 30 ROM instruments, 36 drum sounds 64 RAM/ 64 ROM patches, 16 RAM combis 64 RAM/ 64 ROM patches, 16 RAM combis 128 ROM/ 64 RAM patches 16 ROM/16 RAM combis 128 ROM/64 RAM patches, 16 ROM/16 RAM combis
Voice Architecture
Polyphony 6-voice 32-voice 21- voice 21-voice 21-voice 16-voice 16-voice 16-voice 16-voice 32-voice 16-voice 32-voice 24-voice 24-voice FM: 12-voice; analog: 6-voice; drum: 8-voice 12-voice 6-voice 16-voice 16-voice 30-voice 32-voice 24-voice 24-voice 30-voice 30-voice 24-voice 30-voice monophonic 8-voice 28-voice SY22: 16-voice; TG33: 32-voice 16-voice 16-voice FM, 16-voice sample 32-note: 16-voice FM, 16-voice sample
# oscillators/max per key 12-Dec 32/8 21/21 21/21 21/21 32/32 32/32 16/16 16/8 32/32 16/16 32/32 24/4 96/96 12 FM, 12 analog, 8 drum/2 FM, 4 analog, 2 drum 24/24 12/12 32/8 16/8 30/21 32/32 24/4 24/4 30/12 30/16 24/24 30/7 3/3 16/16 28/1 SY22:32/32;TG33:64/64 16/4 32/4 ??
Voice allocation fixed, last note priority dynamic dynamic dynamic dynamic dynamic, fixed dynamic dynamic dynamic dynamic dynamic dynamic dynamic, programmable dynamic, programmable dynamic within each section programmable fixed, rotate, unison, reassign dynamic dynamic dynamic dynamic dynamic dynamic dynamic, prog dynamic, prog dynamic low-, lost-, or high-note priority dynamic dynamic dynamic dynamic SY77: dynamic; TG77: dynamic, prog dynamic
Filters one 4-pole LP per voice static lowpass 2 LP/HP (up to 4-pole) per voice 2 LP/HP (up to 4-pole) per voice 2 LP/HP (up to 4-pole) per voice none 2 LP w/ Q per patch 1 LP per voice 1 LP per voice 1 LP per voice 1 LP per osc 1 LP per voice no 3 configurable per voice, LP, HP, BP w/Q no one 15-mode per voice 1 variable LP per voice w/ Q 1 LP per patch 1 LP per voice 1 selectable LP/HP/BP w/Q per voice 1 LP w/Q per partial (max 4 per patch) 1 per voice, selectable LP/HP/BP w/Q 1 per voice, selectable w/Q no 1 selectable LP/HP/BP w/Q per voice 1 per voice, selectable LP w/Q no 1 per voice (choose between 12 or 24dB) 2 LP w/ Q per voice no no 2 selectable LP/HP w/Q, max 8 per voice 2 selectable LP/HP w/ Q, max 8 per voice 8 per voice
Envelopes 2 ADSRs per voice for pitch, amp, Fc selectable 5-stage (fixed or prog) for amp; 6-stage for amp, pitch matrix mod) three 5- stage per voice three 5- stage per voice three 5- stage per voice one 5·stage per osc for amp; one 1-stage per osc for pitch one 5-stage per osc for amp, one 1-stage per osc for pitch; two 4-stage per patch for Fc 3 rate/level-style per voice (max 6 per patch) for amp, Fc, pitch; V, kbd tracking 3 rate-level-style per voice for pitch, amp and Fc; V, kbd tracking 3 rate-level-style per voice for pitch, amp and Fc; V, kbd tracking 3 rate/level-style per voice (max 6 per patch) for omp, Fc, pitch, V, kbd tracking 2 rate/level-style per voice ( 1 amp, 1 matrix mod), one 4-stage vector envelope for amp two 16-segment w/loops per layer for amp & variable, 2 ASR per layer, 2 per MIDI channel 7-segment w/loop, 3 layer & 4 assignable ASR FM: one 4-stage per op (4 total) for op amp; analog: two 4-stage per voice for Fc and amp 5 DADSRs per voice (matrix mod) 3 ADSRs per voice two 5-stage per voice three 5 stage three 4-stage per voice for pitch, amp, Fc three 4-stage per voice for pitch, Fc, amp three 4-stage per voice for pitch, Fc, amp 2-stage per voice for pitch, amp, Fc 1 ADSR per voice for amp two 4-stage per voice for pitch, amp 3-stage per voice for amp 1 ADSR per voice for amp 4 four-stage (assignable) three 8-stage per voice for Fc, amp; V, kbd tracking, various mod sources one 4-stage per element for amp, 50-step vector envs for amp & detune three 6-segment per element for pitch, Fc, amp one 8-stage per op (6 total) plus 1 Fc, 1 pan, 1 pitch one 8-stage per op) for op amp 1 Fc, 1 pan, 1 pitch, max 10 per element
LFOs 1 per voice (pitch, Fc, pulse-width mod) 2 per voice 1 per voice 1 per voice 1 per voice 1 per voice (pitch, amp mod) 2 per patch (pitch, amp, Fc mod) 2 per voice (Fc, pitch mod) 2 per voice (Fc, pitch mod) 2 per patch (Fc, pitch mod) 2 per voice (Fc & pitch mod) 2 per voice (matrix mod) 2 per layer, 2 per MIDI channel 2 per layer 1 per voice (pitch, amp mod) 5 per voice (matrix mod) 2 per voice, 1 global (pitch mod) 2 per voice 1 per voice 1 per voice (pitch, Fc, amp mod) 1 per partial for pitch mod 2 per voice for pitch, Fc, amp mod 1 per voice for pitch, amp, Fc 1 per voice (pitch mod) 1 per voice (pitch, Fc, amp mod) 1 per voice (pitch) 1 per voice (pitch mod) 3 per voice 2 per voice (matrix mod) 1 per voice (pitch, amp mod) 1 per element (pitch, amp mod) 1 per element (pitch, Fc, amp mod) 2 per element (pitch, Fc, amp mod) 2 per element (pitch, Fc, amp mod)
Split/Layer (complete patches) 6-way/6-way 8-way/8-way 12 -way/12 -way 8-way/8-way 8-way/8-way 8-way/8-way 8-way/8-way 8-way/8-way 8-way/8-way 8-way/8-way 8-way/8-way 8-way/8-way 12-way/ 4-way 9/9, drum channel: 38/24 2-way/2-way 6-way/6-way no 4-way/4-way 4-way/4-way no/no (up to 4 tones can be split or layered in a patch) 2/2 no/no no/2-way 6-way/6-way 4-way/8-way 16-way/16-way no/no (6 tones can be split and/or layered per patch) 8-way/8-way 4-way/ 4-way 8-way/8-way no/no no/no ??
Multitimbral 6-way, selectable ind or global MIDI controller response 16-way, ind MIDI controller response 12-way, ind MIDI controller response 8-way, ind MIDI controller response 8-way, ind MIDI controller response K1m/r- 8·way; K1 II/K1r II: 8-way plus drum channel, global MIDI controller response 8-way plus drum channel,
ind MIDI controller response
8-way, ind MIDI controller response 8-way, ind MIDI controller response 16-way, indep MIDI controller response 16-way, indep MIDI controller response 16-way, ind MIDI controller response 16-way, ind MIDI controller response 16-way, independent MIDI controller response 26-way, ind MIDI controller response 12-way, ind MIDI controller response no 16-way, ind MIDI controller response 16-way, ind MIDI controller response 5 way plus drum channel, ind MIDI controller response 8-way plus drum channel, indep MIDI 6-way (including drum channel, ind MIDI controller response no 6-way plus ind MIDI controller response 8-way, ind MIDI controller response 16-way (incl. drum channel), ind MIDI controller response 6-way plus drum channel, ind MIDI controller response 8-way, ind MIDI controller response 8-way SY22: 8-way; TG33: 16-way; bath: ind MIDI controller response 16-way, ind MIDI controller response 16-way, selectable ind or global MIDI controller response 16-way, selectable ind or global MIDI controller response
Voice Response V, CAT, CC V, CAT, PAT, CC V, CAT, PAT, CC V, CAT, PAT, CC V, CAT, PAT, CC V, CAT, CC V, RV, CAT, CC V, CAT, CC V, CAT, CC V, CAT, CC V, CAT, CC V, CAT, CC V, RV, CC V, RV, CC V, CC V, RV, CAT, CC V, RV, CAT, CC V, CAT, CC V, CC V,CAT, CC V, CC V,CAT, CC V, CC V,CAT, PAT, CC V,CAT, PAT, CC V,CAT, PAT, CC V, CAT, CC V, CAT, CC V, RV, CAT, PAT, CC V,CAT, CC V,CAT, CC V,CAT,CC V,CAT,CC V,CAT,CC
Other
On-board effects processor(s) no no 1 dynamic multi-FX processor 1 dynamic multi-FX processor 1 dynamic multi-FX processor K1 II: 1 multi·FX; K1m/r/K1 rII: no K4: 1 multi-FX; K4r: no 2 stereo multi-FX processors 2 multi,-FX processors 2 dynamic stereo multi·FX processors 2 stereo multi-FX processors 2 dynamic stereo multi·FX processors no 3 dynamic stereo multi·FX processors no no no 2 stereo multi-FX processors 1 stereo multi-FX processors reverb, delay, chorus/Range D-5: no, D-20: reverb, delay 2 stereo multi-FX reverb, delay, chorus reverb, delay, chorus, flange reverb, delay, chorus, flange reverb, chorus reverb, delay, chorus no no no SY22: 1 stereo FX processor; TG33: 2 stereo FX processors 1 stereo multi-FX processor 4 stereo FX processors 4 stereo FX processors
Sequencer no no 24-track SQ-1: 16-track, SQ-R: no 16-track no no 8-track no 16 tracks 8-track no yes, playback only (req external software) type 0 MIDI file play, real-time capture no no no 3 SE: 9-track, V3: no $149 upgrade no D-5: no, D-20: 8- track no no no 16-track (8 int sounds, 8 ext sounds) no no no no 8-track no SY55: 8-track; TG55: no SY77 16-track; TG77: no 16-track
Hardware controllers via MIDI via MIDI PBW, MW, prog data slider, patch select buttons, FP, FS SQ-1: PBW, MW, prog data slider, FP, FS, SQ-R FP, via MIDI PBW, MW, prog data slider, FP, FS K1 II: PBW, MW, JS, FS; K1m: JS, via MIDI; K1 r/K1rII: via MIDI K4: PBW, MW, FS; K4r: via MIDI M1: JS, sustain FS, 2 prog FP/FS; MlR/REX: 2 prog FP/FS, via MIDI via MIDI JS, data slider, 2 assignable FS JS (opt PBW & MW on T1), sustain FP, 2 prog FP/FS FS, 2 prog FS/FP, JS, WS/EX only PBW, MW K1200/Pro 76 PBW, bi-directional MW, 2 FS, slider, Pro I: via MIDI PBW, MW, 1 slider, FP, 2 FS via MIDI 2 prog FP/FS, 2 FP, 2 levers (pitch & mod) 3 SE PSW, MW, data slider, FP, 3 FS, V3: no DPM 2: PBW, MW , data slider, prog FS PB/mod lever, 4 prog sliders, FP, 2 FS D-5: PB/mod lever, FS; D-20: PB/mod lever, 3 FS PB/mod lever, 57 sliders, 2 FS PB/mod lever, FP, FS PB/mod lever, data slider, FP, FS data wheel, FS, 8 sliders via MIDI U-20: PB/mod lever, data slider, FP, FS; U-220: via midi no via MIDI SY22: PBW, MW, JS, FP, FS; TG33: JS, via MIDI SY55: PBW, MW, BC, FP, FS; TG55: via MIDI SY77: PBW, 2 MW, BC, 2 FP, 2 FS; TG77: via MIDI PBW, 2 MW BC 2 FP, 2 FS
Disk Drive no no yes no no no no no no 01/WFDonly yes no no yes no no no 3 SE: yes; V3: no no no D-5: no, D-20: yes no no no 3.5″ DD no no no no no no no yes 3.5″ DD
Alternate Tunings no 1 prog, 5 ROM; full-range tuning yes no no no no 1 prog ( 12 steps/ oct), 4 ROM 1 prog ( 12 steps/ oct), 4 ROM 3 preset, 1 user (12 steps/oct) 1 prog (12 steps/ octave), 4 ROM 12 prog, 4 editable preset, 12 steps/ octave 6A prog full-range tuning, 17 ROM 255 intonation tables (17 ROM), full-range tuning no via matrix modulation via matrix mod 2 RAM (12-step/oct), 3 ROM 3 ROM, 2 RAM (12-step/oct) fractional scaling D-20: fractional scaling fractional scaling indiv half-steps can be lowered 1/4 tone no no no no no 2 prog no no no 2 prog, 64 ROM, full-range tuning yes
Program Change Mapping no yes no no no no no no no no no yes yes yes no no no yes yes yes no yes no no no no yes no yes no no no no yes
External Storage sys-ex sys-ex cartridge, sys-ex, disk card, sys-ex card, sys-ex card, sys-ex card, sys-ex card, sys-ex card, sys-ex card, sys-ex; 01/WFD only disk disk, cards, sys-ex card, sys-ex sys-ex FD, sys-ex, SCSI sys-ex sys-ex, data cassette sys-ex card sys-ex, 3 SE: only disk card sys-ex card sys-ex D-5: card, sys ex, D-20: FD, card, sys-ex card sys-ex sys-ex sys-ex card, FD sys-ex U-20: card, sys-ex; U-220: sys-ex sys-ex card sys-ex via sys-ex card sys-ex card sys-ex SY77: DD FD, card, sys-ex; TG77 card disk, card, sys·ex
Keyboard Report/Clinic Date KR: Aug. ’89; KC: Oct. ’90 KR: Oct. ’91 KR (SQ-1 ): Sept ’91 KR Oct ’91 KR (K1): June ’88 KR: Mar. ’90 KR. Aug ’88; KC Dec. ’88 KR Dec. ’91 KR (T1) Feb ’90 KR: Sept ’90; KC: July ’91 KR: July ’85 KR: Sept. ’88 DPM 3 KR. Mar. ’90; 3 SE KR Sept ’91 KR: Aug ’90 KR (D-20) Oct. ’88 KR: July ’91 KR: Aug. ’91 KR: June ’91 KR: Jan. ’90 KR: April ’90 KR: July ’91; KC: Oct. ’91 KR: Sept. ’90 KR: June ’90 KR: May ’90
Miscellaneous Features MIDI overflow, uses Curtis filter chips real-time matrix modulation, 4 selectable velocity curves, 10-octave pitch-shifting velocity and kbd position control of lone, sub outputs funclton as effects sends & returns, options include Proteus/1 orchestral expander board ($495), lnVision Protologic 2Mb ROM expander board ($495) non-destructive editing, disk drive serves as MIDI data filer, context-sensitive parameter copying, matrix modulation, 60 seq/ song locations, 96 ppq resolution, 25,000-note seq memory exp to 75,000 notes, performance editing of sound/MIDI parameters, double-click sounds to layer matrix modulation w/ 15 sources routed to 8 destinations, SQ-1 sequencer w/ 9,000-note memory exp to 58,000 notes, 70 sequence/30 song locations, 96 ppq, all edits can be auditioned, SQ-R retransmit incoming single-channel MIDI data on up ta 8 channels matrix modulatoon w / 15 sources routed to 8 destinations, 9,000-note memory exp to 58,000 notes, 70 sequence/30 song locations, 96 ppq, all sequence edits can be auditioned expanded selection of drum sounds in K1 II/K1r II, velocity switching between sounds, patch compatibility between K1 II, K1r II, K1m, K1r, 16-bit D/ A in multi-FX, joystick control of voice volume balance 32-memory output submix section w/ 8 channels; each submix has prog pan, indiv output routing (K4r) and 2 FX sends (K4) MIDI overflow (modules only), velocity cross-switching, M1 and M1R con be expanded to EX ROM status, third-party hardware available for expanding sample ROM, sequencer has pattern and linear modes MIDI overflow, opt RE-1 remote programmer, reads M1 PCM ROM cords (does not read M1 program cords), single-space rock-mount non-linear AM waveshoping synthesis, perlormance editor updated from M-series and T-series MIDI overflow, velocity cross switching, 2 pairs of MIDI out/thru, hardware controllers can be mopped to any MIDI controller #, tuning scale type stored with each program, comb,nohon, and sequence transmit on up to 8 MIDI channels w/ ind CAT and V curves ond zones waveforms can be linked for serial playback & synced to MIDI clocks, real-time control over blend of voices, modulation matrix, macros for quick editing, transmit on up to eight MIDI channels, A/D: 2 analog inputs for vector mixing & effects processing modulation matrix, digital mixer, prog velocity ond aftertouch maps, MIDI channel override, transmit program change mapping, sound ROM contains sounds from K250 library, sequence loading via MIDI from ObjectMover date conversion software programmable synthesis algorithms, matrix for control source processors (mixers, inverters, negators, lag, quantize, sample & hold), replace DSP filters w/ non-res filters, mono mode, portamento, sample RAM expandable to 64Mb 37 drum sounds, layer any sound with other, outputs are instrument specific, front-panel editing softwar for Mac, rack-mountable, fits under computer matrix modulation with 27 sources routed to 47 destinations, up to 20 modulations per patch, tracking generator, lag processor, can do single-operator FM MIDI overflow (chain up to 6 units), tracking generator can be used for LFO & env functions, ramp generator, mono mode for MIDI guitar controllers, edit parameters via computer editor or Matrix-6/6R, can do single-operator FM MIDI input & output filtering, velocity cross-switching, battery backed RAM memory for samples, 24-bit internal FX processing, 3 SE sequencer w/ 20,000-note memory MIDI input & output filtering, velocity cross switching, 24-bit internal FX processing tone palette for real-time control of sound parameters sliders send MIDI controller data, 4 channel MIDI transmission from keyboard D-5 features note chase, harmony, auto·accompaniment mode, arpeggiator, single note chords, D-20 optional PG-10 programmer, sequencer has 16,000 note memory real-time control of sound parameters & indiv osc on/off swiching, parameter sliders send sys-ex real-time control of 8 patch parameters via 4 sliders, sliders send sys-ex, audio ins merge with outs Roland U-series & Rhodes sound card interchangeable can trigger patterns via note numbers, saves and loads standard MIDI files, compatible w/ MC-series sequences; built-in MIDI mixer for volume, panning, & output control; tabletop unit wireless remote control, two mergeable MIDI ins, MT-32 emulation mode, General MIDI compatible (Roland GS format) real-time control of FX parameters via MIDI, 6.4 kbd patches for external MIDI control, MIDI data monitoring, arpeggiator, positive and negative pitch­bend ranges independently programmable all major sound control functions accessed by front panel knobs, extensive control via MIDI based on PPG technology; autopanning,
filter wah, velocity X-fade/X-switch, positional crossfade, macro templates for editing,
LFO control of wavetable playback speed, future software will support user prog
wavetables
6,000-event sequencer, 24-ppq resolution; 32-note sequencer polyphony; auto-accomp patterns vector envelopes can be recorded in real time,
control mix or fine-tuning of up to 4 sounds in real time, global editing utilities, program change doesn’t cut off sustaining notes
velocity X-switch, individual FX send levels per osc FM algorithms include prog feedback; RCM allows FM to modulate samples, each single patch can contain multiple sounds sequencer records real-time voice edits via sys-ex FM algorithms include prog feedback RCM allows FM to modulate samples, each single patch can contain multiple sounds, sequence records real-time voice edits via sys-ex·; reads Yamaha TX16W sample disks; optional AES/EBU digital outputs
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